B. Morelos, Mexico, 1978.
Lives and works in New York City and Mexico.
Graduate of Channin School of Architecture, Cooper Union, New York, NY
Philosophy, St. Johns College, Santa Fe, New Mexico
Selected Solo & Two Person Exhibitions
I Transport, Museo Amparo, Puebla, MX
Constellation in Red, Yellow and Blue, Watermill Center for the Arts, NY
I Transport, Sala de Arte Publico Siqueiros, Mexico City, MX
Visitations, The Watermill Center for the Arts, Watermill, NY
Test Patterns, Revolver Galeria, Lima, Peru
Before Completion, Harmony Murphy Gallery, Los Angeles, CA
Libre Circulation de Capitaux Symboliques (after ALENA), Galerie Loevenbruck, Paris, France
Financial Times, Mary Boone Gallery, NYC, NY
The Red & The Black, Y Gallery, NYC, NY
Johannes Vogt Gallery, NYC, NY (with A.K. Burns)
Border Paintings, Peveto Gallery, Houston, Texas (with Ray Smith)
The Execution of Maximilian, Y Gallery, NYC, NY (with Ray Smith)
Transitional, Y Gallery, NYC, NY
Blue Mango Moqueca, West Street Gallery, NYC, NY (with Daniel Turner and Rita Ackermann)
Beyond Pastoral, The Hoxton Square Tram Shed, London, England
BHQFU: Resistance and Futility, The Creative Time Summit, NYC, NY
THE WORLD IS NOT ENOUGH: The Retrospective, Bruno Bischofberger Galerie, Zurich, Switzerland
Self Portraits, The Fireplace Project, East Hampton, NY
The Bruce High Quality Foundation University, Susan Inglett Gallery, NYC, NY
Happy Endings, Art Basel Miami Beach, Miami Beach, Florida
Empire, Cueto Project, NYC, NY
Cats on Bowery, LaMaMa, NYC, NY
The Retrospective, Susan Inglett Gallery, NYC, NY
The Great Wall, Duve Galerie, Berlin, Germany
L’eau de Vie, Un Film de Jean-Luc Godard, Fundacion Jumex, Cine Morelos, Cuernavaca, Mexico
Arthur Kills Again, ArtHaus, Miami, Florida
Public Sculpture Tackle, Various locations, NYC, NY
Rent Strike! & Other Activist Jingles from the Crypt of Bruce High
Quality, Various locations in NYC, NY, and Brooklyn
CATS on Broadway, The Bruce High Quality Foundation, Brooklyn, NY
Anthology Film Archives, NYC, NY
Yale School of Art, New Haven, Connecticut
Cooper Union School of Art, NYC, NY
Parsons School of Design, NYC, NY
Savannah College of Art and Design, Savannah, Georgia
L’eau de Vie, Un Film de Jean-Luc Godard, White Box, NYC, NY
The Gate: Not The Idea of The Thing But The Thing Itself, Cueto Projects, NYC, NY
BHQF: New Miami Location, Miami, Florida
The Life and Death of Bruce High Quality, Deitch Projects, NYC, NY
A Cheap Publicity Stunt, Lower Manhattan Cultural Council, NYC, NY
Maybe Not Today, Maybe Not Tomorrow. But Soon and for The Rest of Your Life, Buick Building, Miami, Florida
Selected Group Shows
Despues del Eden, La Tallera, Cuernavaca, MX
De Tierra, Fuego, Agua Y Vento: Ceramica de Morelos, Museo Morelense de Arte Popular, Cuernavaca, Mexico
Individual Stories: Collecting As Portrait And Methodology, Kunsthalle Wien, Wien, Austria
Transmission: Recreation and Repetition, Beaux-Arts de Paris, Paris, France
Bloodflames Revisited, Paul Kasmin Gallery, NYC, NY
Mana Exposition: All the Best Artists are My Friends (Part 1), Mana Contemporary, Jersey City, New Jersey.
Biennial of the Americas: Draft Urbanism, Urban Interventions, Denver, Colorado
Neo Povera, L&M Gallery, Los Angeles, California
La Bienal 2013: Here is Where We Jump, El Museo del Barrio, NYC, NY
Une Exhibition Sans Textes, Jeu de Paume, Paris, France
El Regreso de los Dinosaurios, Abrons Art Center, NYC, NY
Color Go Lightly, Valentine Gallery, Bridgehampton, New York
Wanderings, Y Gallery, NYC, NY
Le Carnavalesco, Piso 51, Mexico City, Mexico.
Espiritualidades Atavicas, Instituto Cultural del Estado de Morelos, Mexico
Blue Mango Moqueca, Casona Spencer, Cuernavaca, Mexico
Field of Dreams (Un Mundo Nuevo), Celebrate Brooklyn, Brooklyn, New York
Dreamlands, Centre Pompidou, Paris, France
Sunless, Sala Veronicas, Murcia, Spain
Greater New York, P.S.1 Contemporary Art Center, Long Island City,New York
The Independent, NYC, NY
Whitney Biennial 2010, The Whitney Museum of American Art, NYC, NY
Brucennial 2010: Miseducation, Brucennial, NYC, NY
SOLACE, Austrian Cultural Forum, New York
Art History with Benefits, Performa, NYC, NY
1969, P.S.1 Contemporary Art Center, Long Island City, New York
PLOT 9: This World or Nearer Ones, Creative Time, NYC, NY
No Bees, No Blueberries, Harris Lieberman Gallery, NYC, NY
No Soul for Sale: A Festival of Independents, X Initiative, NYC, NY
Greenwashing: Beyond Pastoral (Shroud of Turin), Sandretto Re Rebaudengo Foundation, Turin, Italy
Calvo, Max Hernandez, Un Puente Entre La TV y El Arte, EL COMERCIO, June 2015.
Staff, Execution of Maximilian, ART NEWS, April 2012.
Staff, Critics Picks: ‘Execution of Maximiliam’, ART IN AMERICA, March 2012.
Schultz, Charles, Transitional, THE BROOKLYN RAIL, October 2011.
Gratza, Agnieszka, Transitional, ARTFORUM, September 2011.
Hirsch, Faye, P.S.1 Greater New York, ART IN AMERICA, September 2010, p. 131.
Kleinman, Adam, P.S.1 Greater New York, ARTFORUM, September 2010, p. 323.
Smith, Roberta, Take Me Out to the Big Show in Queens, THE NEW YORK TIMES, 29 May 2010.
Plagens, Peter, The 2010 Whitney Biennial, ART IN AMERICA, May 2010, pp. 43-46.
Goosen, Moosje, The Bruce High Quality Foundation, METROPOLIS M, April/May 2010, pp. 41-45.
Neustein, Andrea, Bruce Alrighty?, NYFA CURRENT, 1 March 2010.
Decter, Joshua, Review: Bruce High Quality Foundation at Susan Inglett Gallery, ARTFORUM, March 2010, p. 250.
Hudson, Suzanne, Review: 1969 at P.S.1 Contemporary Art Center, ARTFORUM, March 2010, pp. 250-251.
Berwick, Carly, Higher Education, ART IN AMERICA, March 2010, pp. 59-64.
Cotter, Holland, At a Biennial on a Budget, Tweaking and Provoking, THE NEW YORK TIMES, 25 February 2010.
Cotter, Holland, Who Needs the Whitney? They Have Their Own Show, THE NEW YORK ITMES, 25 February 2010.
Wolff, Rachel, Best of Whitney Biennial, THE DAILY BEAST, 24 February 2010.
Finch, Charlie, A Room of One’s Own, ARTNET, 24 February 2010.
Vogel, Carol, Inside Art: Their Own Brucennial, THE NEW YORK TIMES, 19 February 2010.
Finch, Charlie, Juice at the Bruce, ARTNET, 18 February 2010.
Goldstein, Andrew M., Amber Vilas, and Andrew Russeth, Whitney Biennial 2010 Breakdown: The New York Kids, ARTINFO, 17 February 2010.
Parinaz, Mogadassi, Bruce High Quality, PURPLE MAGAZINE, 6 February 2010.
Douglas, Sarah, Conversation with Bruce High Quality Foundation, ART AND AUCTION and ARTINFO.COM, February 2010.
Princenthal, Nancy, Of the Moment: Sights and Sounds of Performa ‘09, ART IN AMERICA, February 2010, pp. 45-50.
Wilson, Michael, The Bruce High Quality Foundation University: An Artist Collective Kicks It New School,TIME OUT NEW YORK, 14 January 2010.
Colman, David, The Nifty Fifty, THE NEW YORK TIMES, 6 January 2010.
Suter, G., Go See – New York, NEW YORK OBSERVED, 6 January 2010.
Staff, Critics Picks, TIME OUT NEW YORK, 31 December 2009.
Smith, Roberta, Cutbacks in Plans but Not in Energy, THE NEW YORK TIMES, 17 December 2009.
Staff, Previews: December 10, WHITEWALL, 10 December 2009.
Ashman, Angela, Class Act: An Art School for Artists by Artists, THE VILLAGE VOICE, 8 December 2009.
Chaplin, Julia, And the Beat Goes On: A Night Out With Members of the Bruce High Quality Foundation, THE NEW YORK TIMES, 4 December 2009.
Garcia, Carnelia, The Bruce High Quality Foundation at Susan Inglett Gallery, MODERN PAINTERS, 1 December 2009.
Staff, Alternative Power, ART AND AUCTION, December 2009.
Cotter, Holland, The Year of Tumult, THE NEW YORK TIMES, 30 October 2009, pp. C21, C27.
Saltz, Jerry, A New Kind of Boom, NEW YORK MAGAZINE, 4 October 2009.
Smith, Roberta, Artists Without Mortarboards, THE NEW YORK TIMES, 13 September 2009.
Alemani, Cecilia, The Bruce High Quality Foundation: Our Future is About Expansion, MOUSSE MAGAZINE, September 2009.
Saltz, Jerry, Jerry Saltz’s Want-to-Sees, ARTNET.COM, September 2009.
Saltz, Jerry, Jerry Saltz’s Want-to-Sees, NEW YORK MAGAZINE, 31 August 2009, pp. 72-73.
Rinebold, Mary, Money Talks, ARTNET, August 2009.
Steinhauer, Jillian, PLOT09: Exploring the World of Governors Island, ARTINFO, 26 July 2009.
Keith, Kelsey, Design Picnic: The Artful Way to Déjeuner Sur L’Herbe, FLAVORWIRE, 9 July 2009.
Smith, Roberta, Public Art, THE NEW YORK TIMES, 2 July 2009.
Wilson, Michael, The Ferry Tale, ARTFORUM, 1 July 2009.
Laster, Paul, PLOT/09 Presents a Public Art Extravaganza on NYC’s Governors Island, FLAVORPILL, 30 June 2009.
Steiker, Valerie, And Nine Other Great Cultural Things To Do This Summer, VOGUE.COM, 26 June 2009.
Halle, Howard, This World & Nearer Ones, TIME OUT NEW YORK, 25 June 2009.
Smith, Roberta, Art Review: ‘Plot/09’ Island as Inspiration and Canvas, THE NEW YORK TIMES, 25 June 2009.
Levine, Hannah, Governors Island: Reimagined and Still Creepy, THE L MAGAZINE, 24 June 2009.
Bonnet, Noémie, Creative Time Presents PLOT/09: This World & Nearer Ones, FLAVORPILL, 12 June 2009.
Orden, Erica, Zombies Invade Governors Island, NEW YORK MAGAZINE, 12 June 2009.
Shaw, Cameron, Enter the Afterlife: A Conversation with The Bruce High Quality Foundation, ART IN AMERICA, 23 March 2009.
Shuster, Robert, The Bruce High Quality Foundation: ‘Empire’, THE VILLAGE VOICE, 18 February 2009.
Staff, Artist Book Reviews, THE UMBRELLA ONLINE, June 2008.
Heller, Maxwell, Le Radeau: Bruce High Quality Foundation Lands in Chelsea, THE BROOKLYN RAIL, June 2008.
Smith, Roberta, The Listings, THE NEW YORK TIMES, 16 May 2008.
Seely, Thomas, FLAVORPILL, May 2008.
Staff, THE VILLAGE VOICE, January 2008.
Blagojevic, B., Events, Features, Upcoming, THE ZINE, 10 December 2007.
Wagner, James, JAMES WAGNER, 8 August 2007.
Davis, Ben, Fair Flip-Flops, ARTNET, 27 July 2007.
Clements, Erin, and Ethan LaCroix, The Best and Worst of 2005, TIME OUT NEW YORK, 29 December 2006.
Staff, NEW YORK ENTERTAINMENT, 10 October 2005.
Turner, Elisa, THE MIAMI HERALD, June 2005.
Wang, Michael, ARTFORUM, 4 March 2005.
Kennedy, Randy, THE NEW YORK TIMES, 2 March 2005.
Wooldridge, Jane, Madeleine Marr, and Daniel Chang, THE MIAMI HERALD, 5 December 2004.
Staff, THE ART NEWSPAPER, 3 December 2004.
Skoggard, Carl, NEST MAGAZINE, Fall 2004.